Rosebud (after Quentin Matysis) (2016) Painting by Wilf Tilley

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Sold by Wilf Tilley

  • Original Artwork (One Of A Kind) Painting, Oil / Conté / Graphite / Ink on Canvas
  • Dimensions Height 18.9in, Width 13in
  • Framing This artwork is not framed
  • Categories Figurative
This version of “The Ugly Duchess” I made as a present to myself and for an exhibition of portraits in 2017. I first saw Matysis’ work in the National Gallery, London, when I was sixteen and it made a terrific impression upon me without knowing what it meant, why it had been painted or indeed, anything about its interesting history and associations.[...]
This version of “The Ugly Duchess” I made as a present to myself and for an exhibition of portraits in 2017. I first saw Matysis’ work in the National Gallery, London, when I was sixteen and it made a terrific impression upon me without knowing what it meant, why it had been painted or indeed, anything about its interesting history and associations. It is of additional interest to me now because the Duchess' extraordinary appearance may be linked, according to Michael Baum and others, with Paget’s disease (osteitis deformans). A further idea, is that the portrait represents a cross-dressing man. However, the title of my version “Rosebud” highlights the Duchess' search for a suitor as symbolized by the flower in her right hand. Interestingly, the work also inspired John Tenniel's illustration in Alice's Adventures in Wonderland.

Related themes

Quentin MatysisThe Ugly DuchessPaget's DiseaseWilf TilleyCross Dressing

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Wilf Tilley (Prof. Michael W. Miller) was born in the North of England and began his career as an actor, age 16, with the National Youth Theatre at The Old Vic in a production of[...]

Wilf Tilley (Prof. Michael W. Miller) was born in the North of England and began his career as an actor, age 16, with the National Youth Theatre at The Old Vic in a production of Antony and Cleopatra in which Helen Mirren played Cleopatra and he carried a spear. “Wilf Tilley” (a combination of parental names) was part-adopted for a first solo exhibition at the AIR Gallery, London, when he was 27. Following an MA degree at the Royal College of Art, London, an interest in the neuro-anatomical drawings of Leonardo da Vinci led, via the Open University, to research on neuronal modelling in the Department of Physiology, Anatomy and Genetics in the University of Oxford. He was a Fellow of St. Catherine's College, Oxford, and after a two-year Fellowship in the International Center for Medical Research, Kobe, was a founder member, then senior adviser at the RIKEN Brain Science Institute, where he designed a brain science exploratorium (BrainBox). Wilf has held eight solo exhibitions, participated in group exhibitions internationally, and held a first retrospective in Japan (The Neuro-mytheologian And Other Works), in 2003. A novel (The Ladyboy Murders) was shortlisted for the Impress Prize for New Writers in 2015. In November/December 2017, he held a second retrospective at the Frederick Harris Gallery, Tokyo. And a recent portrait (Manami-san) is part of the New Light Art Prize Exhibition in the UK, touring five galleries nationally (2023-2024).

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