Im Quasarenpalast - Raymond Holz Skulptur (2021) Sculpture by Timo Milke

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Sold by Timo Milke

  • Original Artwork (One Of A Kind) Sculpture, Wood
  • Dimensions Height 39in, Width 39in
  • Artwork's condition The artwork is in perfect condition
  • Fit for outdoor? No, This artwork can not be displayed outdoor
  • Categories Geometric Seascape
„Im Quasarenpalast“ bildet eine plastische Serie an Formverleimungen. Diese bestehen überwiegend aus dünnen Lagen Holzfurnier, dabei wird jeder Streifen sorgfältig an den nächsten angepasst um eine schlüssige, raumgreifende Form zu erstellen. Grundlage der Formfindung bilden die abwechsungsreichen Verwerfungen und Küsten des Ostseeraumes.
„Im Quasarenpalast“ bildet eine plastische Serie an Formverleimungen. Diese bestehen überwiegend aus dünnen Lagen Holzfurnier, dabei wird jeder Streifen sorgfältig an den nächsten angepasst um eine schlüssige, raumgreifende Form zu erstellen. Grundlage der Formfindung bilden die abwechsungsreichen Verwerfungen und Küsten des Ostseeraumes.

2021
Ovangkol, Zwetschgenholz, Glasfilament, Harz
99×99×23cm

Related themes

WoodPlumsShipDuneOil

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The focus of the work is the series. The concepts and thought complexes on which the works are based are surrounded by individual positions so that they approach the core of the subject and give it expression[...]

The focus of the work is the series. The concepts and thought complexes on which the works are based are surrounded by individual positions so that they approach the core of the subject and give it expression as a whole through different perspectives. The basic concepts are spaces, stories, hierarchies, escapism and resonance, with little value being placed on supposed objectivity, rather personal feelings being explored and subtly woven into the depictions. The world sea often finds its way into the aspired aesthetics, as it offers a rich fund of exciting contrasts and allows eternal hermits to meet social structures similar to humans, comprehensible anatomy to strange life forms and changes from melancholy observations of the surface to the oppressive darkness of the abyss.

Finding a motif is primarily subject to intuition. The artistic techniques are freely combined. Modern methods such as the inclusion of artistic intelligence meet almost forgotten photographic processes, generated digital landscape models meet classic printing techniques and derived sound worlds. At the end remains the search for clues.

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