EGO EQUITATION part 2 (2023) Painting by Richard Routin

Acrylic on Paper, 14.2x14.2 in
$512.73
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ŒUVRE ORIGINALE : Sujet : peinture acrylique Peinture acrylique sur papier hahnemuhle 500 g/m² Dimension 36x36cm + 4 cm de marge Pièce unique, œuvre originale Description Série EGOEQUITATION Le monde de la compétition et de l’égo Série[...]
ŒUVRE ORIGINALE :



Sujet : peinture acrylique
Peinture acrylique sur papier hahnemuhle 500 g/m²
Dimension 36x36cm + 4 cm de marge
Pièce unique, œuvre originale


Description
Série EGOEQUITATION

Le monde de la compétition et de l’égo

Série qui se verra comme toutes les autres complétée au fil du temps et de l’inspiration. Elle annonce la couleur et dénonce tout un penchant de l’équitation qui en mon sens est loin de ce que représente à mes yeux l’art équestre. Une sorte de bataille d’égo ou le spectaculaire, aux yeux des néophytes, prime sur cette magnifique relation symbiotique qui peut exister entre l’humain et l’équidé


EGO EQUITATION Part 2

Il y aurait tant à dire entre ma vision du couple qui uni le cavalier et son cheval et ce qui se passe trop souvent dans le monde des compétitions. Ou trop souvent, le besoin de performance et de résultat du cavalier passe bien avant le bien être de sa monture. Ou la vanité fait place à une attitude raisonnée.

Cette équitation allemande dure et basée sur la soumission qui a pris le dessus sur l’art équestre à la française. Les bouches en sang, la tête tordue, le dos creux, des impulsions dans la souffrance et non dans la beauté. On est bel et bien là dans ce que devient la société. Une culture de l’immédiat et du paraitre en oubliant le sens même de ce pourquoi les choses sont faites. Une culture du narcissique ou il est nécessaire de soumettre et de rabaisser pour s’élever.

Related themes

ChevalChevauxEquitationHorseEquestrian

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Richard[...]

Richard Routin, a contemporary French artist, traces his artistic journey back to his earliest childhood memories, driven by an unwavering quest for freedom. Drawing and painting have always served as a sanctuary for him, offering a release from the constraints of reality and the anxieties of disappointing others.

For Richard, art is not just a form of expression; it is a necessity, a lifeline that has accompanied him throughout his entire existence. From his earliest recollections, he cannot recall a moment when he was not compelled to pick up his pencils and brushes.

Despite eschewing formal art education, Richard's dedication and passion have fueled his exploration of personal artistic paths. Through trial and error, he has forged his own creative identity, unencumbered by the confines of traditional instruction.

The motif of the horse in Richard's work stems from a profound encounter — not only with his wife, who shares his deep connection to these majestic creatures, but also with the inherent symbolism of freedom and unity embodied by the horse. This symbiotic relationship, where the human becomes instinctual and the animal reveals human-like emotions, serves as a wellspring of inspiration and introspection for Richard.

Influenced by artistic luminaries such as Phidias, Géricault, Degas, and Picasso, Richard's work reflects a fusion of diverse impressions and influences. He is particularly drawn to the magical realm of artists like Bartabas, who demonstrate the inseparable bond between art and the horse, blurring the boundaries between these two worlds.

Today, Richard Routin embraces a new phase in his artistic journey, one characterized by a desire for connection and vulnerability. By sharing his sensitivity and emotions through his art, he seeks to evoke a profound response in others, inviting them to experience the intoxicating sensation of artistic expression.


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