Viejo camión amarillo abandonado (1993) Painting by Roberto García López

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Seller Roberto García López

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Seller Roberto García López

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Seller Roberto García López

  • Original Artwork (One Of A Kind) Painting, Watercolor on Paper
  • Dimensions Height 13.8in, Width 19.7in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Conceptual Art Car
Compuse este poema inspirado en la acuarela de viejo camión amarillo abandonado: "Un viejo camión es el símbolo del hombre oxidado por las noches que ha dormido a la intemperie. Desconchones y arrugas nos cuentan momentos difíciles. Su viejo motor, ya inservible, lo es porque arrancó un millón de veces, siempre que[...]
Compuse este poema inspirado en la acuarela de viejo camión amarillo abandonado:
"Un viejo camión es el símbolo del hombre oxidado por las
noches que ha dormido a la intemperie.
Desconchones y arrugas nos cuentan momentos difíciles.
Su viejo motor, ya inservible, lo es porque arrancó un millón de veces,
siempre que fue necesario para hacer un servicio.
Nunca se quejó por lo temprano, ni por la lluvia, ni por la helada.
Por eso ahora descansa, hermoso a nuestros ojos y nos dice, calladamente,
como aquél de Tarso, "he recorrido el camino, he alcanzado la meta...""

Related themes

VejezCamionAbandonadoCampoNaturaleza

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My name is Roberto García López, since I was very young my friends have called me Rob. I was born in Madrid in 1964, my parents are from the North of Palencia, almost in the province of León, next to Asturias,[...]

My name is Roberto García López, since I was very young my friends have called me Rob. I was born in Madrid in 1964, my parents are from the North of Palencia, almost in the province of León, next to Asturias, it is the Palentina Mountain, the foothills of the Picos de Europa to the South, hence my love for mountains.

I graduated in Economics from the Autonomous University and went to Malaga to live and work as a Graphic Designer. I worked at Announcements Diana and Gráficas Urania for more than 30 years. Turning my art into advertising creativity.

From my professional beginnings I began to long for contact with "the matter", at work; I ended up getting fed up with the computer, even the drawings were made with the graphics tablet, stylus. So fed up and tired that I escaped, when I could, to the Montes de Málaga and took to the forest trails and forests. I remember one rainy day, I stood next to a puddle in a clay area, I picked up mud with my hands and screamed while kneading the clay. "This is real." I still remember the softness of the clay, the humidity, the smell of wet earth, the aroma of pines and carob trees.

With the Covid pandemic I changed course and threw myself into rubbing up against the rocks, seeking to know them, trying how each type of stone could be worked... I set up my Sculpture and Painting Studio in a farmhouse, surrounded by avocados, nature , mountains, dogs and stones, many stones.

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