Eyes on the King verdict (2022) Printmaking by Shepard Fairey (Obey)

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Artwork signed by the artist
Certificate of Authenticity included
This artwork appears in 2 collections
About by Shepard Fairey "I based this “Eyes on the King Verdict” print on photos taken by Ted Soqui during the LA riots of spring 1992. Ted has a long history of photographing activists and protests, which began after the “not guilty” verdicts on April 29, 1992, for the four officers who severely beat Rodney King. I especially love[...]
About by Shepard Fairey

"I based this “Eyes on the King Verdict” print on photos taken by Ted Soqui during the LA riots of spring 1992. Ted has a long history of photographing activists and protests, which began after the “not guilty” verdicts on April 29, 1992, for the four officers who severely beat Rodney King. I especially love the central pic of a young woman protester in a Malcolm X hat contemplating the scene. I think it is important to consider the symbolic weight of the Rodney King verdict and the emotional impact on communities of color seeking justice and accountability. At the time, 30 years ago, I remember feeling enraged that such a blatant act of police brutality was going unpunished when it was captured on video. It is heartbreaking how frequently similar acts of violence and abuse of power by law enforcement have gone unpunished, even when caught on camera. I don’t ever condone violence or looting, but I understand why LA erupted in riots and protests after the King verdict. When people feel that the American system has failed them repeatedly, things can reach a boiling point. The urge to protest injustice and the right to do so are legitimate, even if looting is not legitimate. The LA riots were a tragic mixture. However, beware of those who try to conflate protest with “criminal agitation” or “inciting a riot.” When the system fails the people, it is nothing short of patriotic for the people to protest for a solution."

Related themes

Ted SoquiRiotsRodney KindObey

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Shepard Fairey is the most appreciated contemporary American artist within street culture, he studied art and graduated from the Academy of Art in 1988. It can be said with some certainty that Obey[...]

Shepard Fairey is the most appreciated contemporary American artist within street culture, he studied art and graduated from the Academy of Art in 1988. It can be said with some certainty that Obey is the most mainstream artistic phenomenon of our time.

In 1989 comes the turning point for his artistic career, the project that will give him his first fame takes shape 'Andre the Giant Has a Posse' 34;. The idea was to spread the walls of the city with stickers reproducing the face of the wrestling fighter André the Giant. The image became so famous and powerful that the stickers were replicated by other artists in other cities. The very successful objective of the campaign was to produce a media phenomenon and to make citizens reflect on their relationship with the urban environment.

The actual consecration took place during the 2008 US election campaign, which saw Barak Obama as the protagonist in the race for the 2008 presidential election of the United States of America. The Hope poster reproduced the stylized face of Barack Obama in four-color. The art critic Peter Schjeldahl defined the poster as "the most effective American political illustration since the days of Uncle Sam".

Shepard Fairey's career saw an escalation of world-famous projects, recognized by critics as powerful communicative images and mirror of the events that have most characterized our contemporaneity< /strong>. From the election of Obama, through issues related to technology and social platforms, up to the attention to the climate and the drastic changes that our planet is facing in recent decades.

Obey is a spokesperson for social messages, which very often remain unexpressed, this artist, through his recognized fame, brings difficult and very thorny issues to the foreground, trying to give a personal vision through his famous posters.

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