Unterwegs 2 (2022) Painting by Michael Rehr-Hoffmann

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$32.44
$129.77
$270.35
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Seller Michael Rehr-Hoffmann

One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
This artwork is framed
  • Original Artwork (One Of A Kind) Painting, Acrylic on Cardboard
  • Dimensions 20.9x13.8 in
    Dimensions of the work alone, without framing: Height 18.7in, Width 11.8in
  • Artwork's condition The artwork is in very good condition
  • Framing This artwork is framed (Frame + Under Glass)
  • Categories Paintings under $1,000 Expressionism Everyday Life
Eine expressionistische Darstellung einer Industrieanlage mit drei Schornsteinen. Dynamische Interpretation mit kräftigen Farben und starken Pinselstrichen. Starke Kontraste zwischen dunklen Schatten und hell erleuchteten Bereichen, um die Spannung und Dramatik der Szene zu betonen. [...]
Eine expressionistische Darstellung einer Industrieanlage mit drei Schornsteinen. Dynamische Interpretation mit kräftigen Farben und starken Pinselstrichen. Starke Kontraste zwischen dunklen Schatten und hell erleuchteten Bereichen, um die Spannung und Dramatik der Szene zu betonen.

Related themes

IndustieSchornsteineGebäude

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Michael Rehr-Hoffmann, born in 1957, is a German artist who studied illustration and communication design at the University of Applied Sciences in Hamburg. For over 30 years he worked as a graphic designer[...]

Michael Rehr-Hoffmann, born in 1957, is a German artist who studied illustration and communication design at the University of Applied Sciences in Hamburg. For over 30 years he worked as a graphic designer in various areas of advertising and public relations in Lüneburg. After his professional life, he retired and began painting again in 2016, initially creating drawings and color sketches. That was the starting signal. His works, which include countless drawings and paintings, have already been shown in regional exhibitions in and around Lüneburg.

A main theme in his works is the still life, in which every object has a meaning and wants to tell the viewer something . Furthermore, humans appear as social creatures, both alone and in groups, in many of his drawings and paintings. His works are often unintentionally funny, but never didactic. Instead, he wants the audience to do the interpretive work and interpret his works in their own way.

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