TOURBILLONS (1975) Drawing by Jean-Thomas Bédard

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Sold by Jean-Thomas Bédard

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Sold by Jean-Thomas Bédard

  • Original Artwork (One Of A Kind) Drawing, Marker on Paper
  • Dimensions Height 8.5in, Width 14in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Surrealism Landscape
Avec Tourbillon, réalisé en 1975, nous explorons l'univers surréaliste. Ce dessin fait de traits au crayon feutre (marqueur) a été exécuté très rapidement, sans plan, d'une main sûre et précise. Car la moindre hésitation de la main pouvait créer une tache d'encre sur le papier. Cette manière très gestuelle de dessiner confère aussi au[...]
Avec Tourbillon, réalisé en 1975, nous explorons l'univers surréaliste. Ce dessin fait de traits au crayon feutre (marqueur) a été exécuté très rapidement, sans plan, d'une main sûre et précise. Car la moindre hésitation de la main pouvait créer une tache d'encre sur le papier. Cette manière très gestuelle de dessiner confère aussi au dessin un dynamisme particulier. Plusieurs créations de cette période de ma vie vont ainsi explorer le Surréalisme associé à une exécution très rapide.
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Jean-Thomas Bédard is a professional photographer from Lac-Saint-Jean, Quebec (Canada). Painter, filmmaker and photographer, he started drawing at the age of 12. At 20, he entered the École des Beaux-Arts[...]

Jean-Thomas Bédard is a professional photographer from Lac-Saint-Jean, Quebec (Canada). Painter, filmmaker and photographer, he started drawing at the age of 12. At 20, he entered the École des Beaux-Arts in Montreal, then the animation department of the National Film Board. He was responsible for directing animated films and documentaries for more than 30 years. His animated short L'âge de Chaise - Chairmen has won awards at several international festivals.

At 32, he embarked on a year-long trip around the world where he became very interested in photography. This led him to present in Montreal and Toronto an exhibition on traditional ways of life in Central America, the Pacific and Indonesia (York University). He has also exhibited his paintings in Montreal, Quebec and Vancouver at different locations.

In 1985-86, he became an animation trainer at the Centro technico e audiovisual in Rio de Janeiro, Brazil. Back in Quebec, he continued to make documentaries such as The Crossing of the Night, Father for Life, and The Unfinished Journey. In 2003, his career was put on hold.

Since 2011, he has been experimenting with the textures and colors of nature in photography to create pieces that sometimes resemble abstract art and sometimes a poetic universe. His favorite subject was the many facets of the St. Lawrence coast that could be seen when the tide was low.

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