C-493 (1969) Drawing by Jean-Thomas Bédard

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Sold by Jean-Thomas Bédard

  • Unknown Edition Drawing, Ink / Watercolor on Cardboard
  • Dimensions Height 8.5in, Width 8.5in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Drawings under $500 Abstract
C-493, © Jean-Thomas Bédard 1969. Un simple numéro désigne ce dessin à l'encre de Chine, aquarelle et graphite. C'est le dessin no 493 de la série ''C'', la dernière de 3 séries de dessins qui s'étalent sur sur plus de vingt ans, la série ''C'' étant la plus expérimentale et la plus mûre aussi.[...]
C-493, © Jean-Thomas Bédard 1969. Un simple numéro désigne ce dessin à l'encre de Chine, aquarelle et graphite. C'est le dessin no 493 de la série ''C'', la dernière de 3 séries de dessins qui s'étalent sur sur plus de vingt ans, la série ''C'' étant la plus expérimentale et la plus mûre aussi. J'avais le sentiment, en créant cette oeuvre, qu'il y avait quelque chose d'alchimique dans le processus d'élaboration de ce petit dessin carré éclatant d'énergie.
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Jean-Thomas Bédard is a professional photographer from Lac-Saint-Jean, Quebec (Canada). Painter, filmmaker and photographer, he started drawing at the age of 12. At 20, he entered the École des Beaux-Arts[...]

Jean-Thomas Bédard is a professional photographer from Lac-Saint-Jean, Quebec (Canada). Painter, filmmaker and photographer, he started drawing at the age of 12. At 20, he entered the École des Beaux-Arts in Montreal, then the animation department of the National Film Board. He was responsible for directing animated films and documentaries for more than 30 years. His animated short L'âge de Chaise - Chairmen has won awards at several international festivals.

At 32, he embarked on a year-long trip around the world where he became very interested in photography. This led him to present in Montreal and Toronto an exhibition on traditional ways of life in Central America, the Pacific and Indonesia (York University). He has also exhibited his paintings in Montreal, Quebec and Vancouver at different locations.

In 1985-86, he became an animation trainer at the Centro technico e audiovisual in Rio de Janeiro, Brazil. Back in Quebec, he continued to make documentaries such as The Crossing of the Night, Father for Life, and The Unfinished Journey. In 2003, his career was put on hold.

Since 2011, he has been experimenting with the textures and colors of nature in photography to create pieces that sometimes resemble abstract art and sometimes a poetic universe. His favorite subject was the many facets of the St. Lawrence coast that could be seen when the tide was low.

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