© 2020 Françoise Niel Aubin
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Souffrances et recyclage. (2020) Painting by Françoise Niel Aubin
Watercolor on Paper, 19.7x27.6 in
$1,291.24
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Françoise Niel Aubin
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Sold by Françoise Niel Aubin
One of a kind
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This artwork appears in 1 collections
-
Original Artwork (One Of A Kind)
Painting,
Watercolor
/
Ink
on Paper
- Dimensions Height 19.7in, Width 27.6in
- Artwork's condition The artwork is in perfect condition
- Framing This artwork is not framed
- Categories Paintings under $5,000 Calligraphy
Il est probable, que surtout, les artistes, aient conscience ainsi, de la relation des plus intimes, qui existe, entre ceux qui souffrent et le milieu artistique.
Pourtant, cette relation est bien réelle, mais encore fut il, pour celà, que le lien, entre les uns et les autres, se fasse, et pour celà, qu le sujet soit abordé.
De leur côté,[...]
Il est probable, que surtout, les artistes, aient conscience ainsi, de la relation des plus intimes, qui existe, entre ceux qui souffrent et le milieu artistique.
Pourtant, cette relation est bien réelle, mais encore fut il, pour celà, que le lien, entre les uns et les autres, se fasse, et pour celà, qu le sujet soit abordé.
De leur côté, les artistes, souvent, hyper sensibles, absorbent, comme des buvards, la souffrance, à la quelle, ils sont potentiellement confrontés, alors, il faut bien la gérer, et idéalement, la transformer.
Pour autant, est ce suffisant ?
Pas toujours, hélas, si, par exemple la cause bien réelle, de la souffrance, elle n'est pas traitée, "à la racine".
Individuellement, quand celui ou celle qui souffre doit en faire un récit, et idéologiquement, le transformer eux même.
Et quelquefois, celui ou celle qui souffre entre en communication avec un artiste, comme personnellement, je l'avais fait avec un certain Thomas Fersen, dans les années 2000.
Pourtant, cette relation est bien réelle, mais encore fut il, pour celà, que le lien, entre les uns et les autres, se fasse, et pour celà, qu le sujet soit abordé.
De leur côté, les artistes, souvent, hyper sensibles, absorbent, comme des buvards, la souffrance, à la quelle, ils sont potentiellement confrontés, alors, il faut bien la gérer, et idéalement, la transformer.
Pour autant, est ce suffisant ?
Pas toujours, hélas, si, par exemple la cause bien réelle, de la souffrance, elle n'est pas traitée, "à la racine".
Individuellement, quand celui ou celle qui souffre doit en faire un récit, et idéologiquement, le transformer eux même.
Et quelquefois, celui ou celle qui souffre entre en communication avec un artiste, comme personnellement, je l'avais fait avec un certain Thomas Fersen, dans les années 2000.
It is possible, in the eyes of some people, that this quote, of which I am quite proud, might seem somewhat inappropriate... But it is not so... Indeed, who, one day, only wondered whether[...]
It is possible, in the eyes of some people, that this quote, of which I am quite proud, might seem somewhat inappropriate...
But it is not so...
Indeed, who, one day, only wondered whether the manufacturers of brushes, made of marten hair, had received the written consent of the marten in question?
Okay, we don’t find them much to buy anymore, and who would argue?
But for the "small gray" essential for watercolor and inks, you really asked yourself, like me one day, the question?
What would be the Japanese calligraphy if, one day, the union of the "little grey" came to ask them for accounts, and worse, rights, of authors, for taking, of hair, imposed?
Thus, as you can see, in reality, observing, on the other hand, that there is no subject, of which the artists, would deprive themselves, EVERYTHING IS INDEED HAIR AND ETHICS.
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Nationality:
FRANCE
- Date of birth : 1961
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary French Artists
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