The Beautiful New Dress (2022) Drawing by Edwin Loftus

Pastel on Cardboard, 14x11 in
$1,370
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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
This artwork is framed
Mounted on Other rigid panel
This artwork appears in 1 collections
  • Original Artwork (One Of A Kind) Drawing, Pastel on Cardboard
  • Dimensions 20x16 in
    Dimensions of the work alone, without framing: Height 14in, Width 11in
  • Framing This artwork is framed (Frame + Under Glass)
  • Categories Drawings under $5,000 Impressionism Nude
Many women rightly spend time considering and planning how they will adorn themselves to go out into the world, adding to the beauty we all experience and thereby making the world a better and happier place to live. We all, male or female, plain or pretty, young or old, owe all of them our gratitude and acknowledgement of the efforts they make.
Many women rightly spend time considering and planning how they will adorn themselves to go out into the world, adding to the beauty we all experience and thereby making the world a better and happier place to live. We all, male or female, plain or pretty, young or old, owe all of them our gratitude and acknowledgement of the efforts they make.
This young woman is dressing for a special occasion and has laid out a spectacular gown of golden thread for inspection prior to dressing. She has minded her eating and sleep, avoided too much sun and too little, bathed and used lotions to help make her skin as attractive as she can, and this is just the base upon which she will build herself into a living work of art. From her most intimate layers of clothing to the final finished form with which she will grace all those lucky enough to see her, each step and each layer has been practiced and perfected as nearly as her circumstances allow.
But this is just the superficial visual, tactile and olfactory part of her presentation. Through much of her life she has learned, cultivated and practiced improvements upon her inner, intellectual, artistic and social merits, seeking at most times to reconcile the person she presents with the true values and inclinations of her natural self. If she has succeeded, the person she presents will be a genuine reflection of who she is and the appreciation of her audience will be multiplied as they find the contents of her being as fresh and fair as they get to know her as when they first met and saw her at her best.
For many women, circumstances may call on them to try to present an impression that is not their true self. This is a mistake, but an understandable one that they may try to make the best of. They too, so long as it is not their intention to deceive and thereby take unqualified advantage of others, also deserve our gratitude and praise. Their struggle is harder and when they find the right balance, their credit should be greater as well. There is shame in deception, but there is no shame in adapting a look and conduct that is not one's own to show respect or admiration for the company one intends to keep.
I once turned down an invitation to a formal ball because the dress and conduct requirements were not natural to me. I was young and a fool and so missed an adventurous opportunity I'm sure I would have enjoyed experiencing. Foolishness is often a part of growing and so is the kind of effort described above. Men don't as often take such pains and if they do, they should do it wholeheartedly, as many women do.
But it isn't that men are less inclined to practice the art of living artistically. To resort to metaphor; Men work in a different media upon a different ground.

Related themes

DressingPreparationWomenMen

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Edwin Loftus is an American painter and draftsman born in 1951. His interest in art began at the age of 4 when he decided to draw something real rather than working from his imagination.  As a child[...]

Edwin Loftus is an American painter and draftsman born in 1951. His interest in art began at the age of 4 when he decided to draw something real rather than working from his imagination. 

As a child he excelled at drawing and as a teenager he began to experiment with oil painting. In college, he took courses in art and art history and realized that true art had nothing to do with the quality of the drawing or painting, but that it had to have the ambition to push the boundaries and expand the visual experience. 

He also studied philosophy, psychology and history and quickly realized that it was just another art establishment trying to defend its elitist industry and reward system. Their skills were almost non-existent, they knew nothing about psychology, perception or stimulus response, and they were extensions of the belief system that made communism, fascism and other forms of totalitarianism such destructive forces in the world. They literally believe that art shouldn't be available to ordinary human beings, but only to an elite "sophisticated" enough to understand it. 

Edwin Loftus realized that the emperors of art had no clothes, but they were still the emperors. Gifted in art, he worked hard to acquire this skill. So he found other ways to make a living and sold a few artworks from time to time. For sixty years, many people enjoyed his works and some collected them. 

Today, Edwin Loftus is retired. Even if he sold all his paintings for the price he asked, "artist" would be the lowest paid job he ever had... but that's the way it is.  It won't matter to him after he dies. He just hopes that some people will like what he does enough to enjoy it in the future. 

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