Gold Circle (2019) Sculpture by Christophe Bregnard

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  • Limited Edition (#7/7) Sculpture, Wood on Wood
  • Dimensions Height 39.4in, Width 39.4in / 5.00 kg
  • Framing This artwork is not framed
  • Fit for outdoor? No, This artwork can not be displayed outdoor
  • Categories Sculptures under $20,000 Minimalism
Golden Circle (2019) offre au regard deux espaces vides : l’espace cerclé par le tore en bois et celui enclos en son sein - un espace privé, presque secret, touchant au creuset. L’évocation du creuset de l’alchimiste s’impose encore d’avantage quand on découvre que les parois intérieures de la sculpture ont été tapissées à la feuille d’or. Symboliquement,[...]
Golden Circle (2019) offre au regard deux espaces vides : l’espace cerclé par le tore en bois et celui enclos en son sein - un espace privé, presque secret, touchant au creuset. L’évocation du creuset de l’alchimiste s’impose encore d’avantage quand on découvre que les parois intérieures de la sculpture ont été tapissées à la feuille d’or. Symboliquement, la lumière vient donc de l’intérieur.
La perfection du motif géométrique, la sensualité du bouleau veiné de rose, le rayonnement doré qui ne s’offre pas d’emblée confèrent à cette sculpture beaucoup de grâce et une aura quasi mystique. Ici, l’objet semble donner forme à une auréole digne de ceindre un front divin, tandis que son pendant Palladium Curve (2019) évoque une mandorle en majesté.
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Christophe Bregnard is a contemporary Swiss artist. Attracted as much by the recovery of objects (wheel rims, steam baskets, wedding globes) as by contemporary materials (resin,[...]

Christophe Bregnard is a contemporary Swiss artist. Attracted as much by the recovery of objects (wheel rims, steam baskets, wedding globes) as by contemporary materials (resin, lacquer, polystyrene), the artist is primarily interested in the questions raised by the work. Some of his sculptures evoke plausible three-dimensional objects such as a wine barrel, or an old bulb, while others do not use any known vocabulary.

Nature plays an essential role in Bregnard approach. It offers him a meditative setting from which he draws his inspiration and sometimes even the raw material of his creations (peacock feathers, blue thistles, wood mushrooms). Cut, sanded, caressed, the slats of wood submit to the artist's requirements and become, under his hands, the imprint left by a flower, a giant halo or a desert.

Christophe Bregnard has exhibited all across Europe and won the Lachat Prize for Visual Arts in 2018. Numerous key galleries and museums such as Laurent Marthaler Contemporary have featured Christophe Bregnard's work in the past.

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