Amazing Grace (2024) Painting by Christian Girault

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  • Original Artwork (One Of A Kind) Painting, Oil on Linen Canvas
  • Dimensions Height 21.3in, Width 28.7in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Pop Art Music
« Somebody to love » : en 1967, ce morceau est un tube planétaire, porté par la voix consistante de Grace Slick. La musique n’est pas en reste avec les élans des Marty Balin, Jorma Kaukonen, Jack Cassidy, Paul Kantner et Spencer Dryden. A la suite de son expérience au sein de The Great Society, Grace vient d’intégrer le groupe de rock psychédélique[...]
« Somebody to love » : en 1967, ce morceau est un tube planétaire, porté par la voix consistante de Grace Slick. La musique n’est pas en reste avec les élans des Marty Balin, Jorma Kaukonen, Jack Cassidy, Paul Kantner et Spencer Dryden. A la suite de son expérience au sein de The Great Society, Grace vient d’intégrer le groupe de rock psychédélique Jefferson Airplane, en remplacement de la chanteuse Signe Anderson partie vers son rôle de mère.

« Somebody to love » : l’Amérique jeune va s’enticher de la beauté charismatique de Grace et de ses facéties explosives. Et il y en aura au sein de la chanson « White rabbit », qui sera vu, probablement à juste titre, comme un hymne à la consommation de produits illicites, époque où les pastilles de LSD étaient en vogue. L’ultime phrase « Feed your Head » sera alors vue comme particulièrement provocatrice. Le groupe se retrouvera fiché pour « textes de chansons suspects ». « White rabbit » reprend quantité de thèmes d’Alice au pays des merveilles, conte peut-être psychédélique, car certains pensent qu’un mathématicien comme Lewis Carroll devait consommer des drogues pour avoir pu écrire une texte aussi déjanté.

Grace Slick demeure à ce jour l’une des plus grandes icônes de la musique rock. Grace Slick, amazing Grace…

Related themes

GraceSlickJeffersonAirplaneWhite

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- For those who wish to discover oil painting, I open a workshop during the lunch break, once a week, on the sidelines of school lessons. When a drawing teacher makes such a proposal and you are already[...]

- For those who wish to discover oil painting, I open a workshop during the lunch break, once a week, on the sidelines of school lessons.

When a drawing teacher makes such a proposal and you are already motivated by the artistic thing, there is no hesitation. Christian responded to the opportunity and discovered the smoothness and reactivity of the material, its sensuality too: pleasure. This happened in 1974, at the age of fourteen. And quickly, gouache, pencil or pastels were practically forgotten.

A few years later, a solid technique had already asserted itself, through, most often, work inspired by photographic favorites. Christian will notably have the freedom to produce color paintings, from black and white photos.

His works still lacked a certain essence, that of conceptual elaboration, which will appear in the 1980s and will continue thereafter. This indefinable work, probably invisible, which allows an idea to mature for six months to progress, improve, or even vanish. Christian has an expression for this: 'cinema on canvas', because like the seventh art, he creates a real scenario of his work before using his brushes. There is no doubt that many of these ideas come from her passion for travel, such a passion that she stopped her production for a while. Prize-winning exhibitions have awarded Christian six times.

Christian is a multiple artist, in the sense that he is master of the freedom of his ideas; thus his subjects are diversity. If he is comfortable with his time, he does not lock himself in his fashions. And to extend the notion of multiplicity, he is also a photographer and writer-traveler. Open to the surprise of the future, he will gladly tell you that he is not yet... a sculptor.

"Art is an adventure; it continues, for a long time…"

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