Fateci sapere se volete vedere altre foto di questa opera d'arte!
- Retro del lavoro / Lato del lavoro
- Dettagli / Firma / Superficie o struttura dell'opera d'arte
- Opera d'arte in situazione, Altro...
Fateci sapere se volete vedere altre foto di questa opera d'arte!
- Retro del lavoro / Lato del lavoro
- Dettagli / Firma / Superficie o struttura dell'opera d'arte
- Opera d'arte in situazione, Altro...
TALLE Crisis Chronicles: COVID 19 - Act II (2020) Pittura da Bamazi Talle
Venditore Bamazi Talle
Quest'immagine è disponibile per lo scaricamento con una licenza.
Venditore Bamazi Talle
-
Opera d'arte originale (One Of A Kind)
Pittura,
Olio
su Tela di lino
-
Dimensioni
63,2x48,2 in
Dimensioni dell'opera da sola, senza cornice: Altezza 60in, Larghezza 45in - Condizioni dell'opera d'arte L'opera d'arte è in perfette condizioni
- Incorniciatura Questa opera è incorniciata
- Categorie Quadri a partire da 20.000 USD Surrealismo Spiritualità
In the center of the composition, three skulls or skeletons stand, symbolizing the death and disaster that COVID-19 has caused. These gruesome figures recall the loss of life and suffering that marked this difficult time in world history.
Two of the skeletons are wearing masks, and on these masks is the flag of China. This evokes the first symptoms of the virus discovered in China, thus marking the origin of the pandemic. The masks, which have become an iconic symbol of this period, reflect both the need for protection and the global extent of the crisis.
A calabash, the artist's characteristic symbol, contains one of the heads. This calabash becomes a metaphor for how traditions and human interactions have contributed to the spread of the virus globally. The calabash stands as a symbolic receptacle of this sad reality.
An egg is placed in the mouth of one of the heads, emphasizing the fragility of human life in the face of omnipresent death. This egg is a reminder of humanity's vulnerability to the pandemic, a reality that no one could ignore.
On the ground and in the calabash, viruses are scattered, visually representing the uncontrolled spread of COVID-19 across the world. These elements add a tangible dimension to the destructive impact of the virus.
"Crisis Chronicles: COVID 19 - Act II" transcends mere visual art to become a poignant account of the global crisis. Artist Tallé Bamazi uses powerful symbols to evoke the brutal reality of the pandemic, and this artwork stands as a visual memorial, remembering the losses and challenges the world faced during this tumultuous time in history.
"Crisis Chronicles: COVID 19 - Act II" est une œuvre saisissante et percutante qui fait partie d'une série de créations dédiées à la pandémie de COVID-19 par l'artiste Tallé Bamazi. Cette deuxième pièce de la série capture avec une puissance visuelle la dure réalité de la pandémie et les effets dévastateurs qu'elle a eus à travers le monde.
Au centre de la composition, trois têtes de morts ou de squelettes se dressent, symbolisant la mort et le désastre que le COVID-19 a engendrés. Ces figures macabres rappellent la perte de vies et la souffrance qui ont marqué cette période difficile de l'histoire mondiale.
Deux des squelettes portent des masques, et sur ces masques sont représentés le drapeau de la Chine. Cela évoque les premiers symptômes du virus découverts en Chine, marquant ainsi l'origine de la pandémie. Les masques, devenus un symbole emblématique de cette période, reflètent à la fois la nécessité de la protection et l'étendue mondiale de la crise.
Une calebasse, symbole caractéristique de l'artiste, contient l'une des têtes. Cette calebasse devient une métaphore de la manière dont les traditions et les interactions humaines ont contribué à la propagation du virus à l'échelle mondiale. La calebasse se tient comme un réceptacle symbolique de cette triste réalité.
Un œuf est placé dans la bouche d'une des têtes, soulignant la fragilité de la vie humaine face à la mort omniprésente. Cet œuf rappelle la vulnérabilité de l'humanité devant la pandémie, une réalité que personne n'a pu ignorer.
Au sol et dans la calebasse, des virus sont dispersés, représentant visuellement la propagation incontrôlée du COVID-19 à travers le monde. Ces éléments ajoutent une dimension tangible à l'impact destructeur du virus.
"Crisis Chronicles: COVID 19 - Act II" transcende le simple art visuel pour devenir un témoignage poignant de la crise mondiale. L'artiste Tallé Bamazi utilise des symboles puissants pour évoquer la réalité brutale de la pandémie, et cette œuvre se tient comme un mémorial visuel, rappelant les pertes et les défis que le monde a affrontés durant cette période tumultueuse de l'histoire
Temi correlati
Talle BamaziFather of Flying CalabashesBorn in Kara, Togo, West Africa, Talle Bamazi can best be described as an artistwho uses canvas as a site for activism. Self-thought in beginning, He began hisartistic career in his young age. Although he went on to study a ConstructionsBuilding management to become head of Site construction Manager in Lomé, hefavorably transitioned to visual art wish was his first gifted. Through his art,Bamazi is intently compelled to share the story of his homeland while dispellingthe notion that Africa is largely a violent and impoverished continent. Hepurposefully pays homage to his ancestors and the culturally significant tiesbetween traditional and contemporary ideas.Arriving in New York in 1995, with absolutely no understanding of the Englishlanguage, Bamazi embarked upon what was the most challenging adventure ofhis life. His quest for knowledge led him to the New York Student Art Leaguewhere he immersed himself in American culture. This was the beginning ofBamazi’s contributions to contemporary African art in America. He continuedhis education at the New York Academy of Art and graduated with a Master'sdegree.Upon completing his degrees, and amongst the bustling art activity of New YorkCity, Bamazi began exhibiting in a multitude of area galleries and institutions. Itwas at this time that he realized his greater desire was to raise the visibility of other African and African-American artists with the broader public. Thisaspiration would come to fruition with the establishment of the KIACA (KabiyeImpact Contemporary African Art) Gallery in 2003, located in Columbus, Ohio.With KIACA, he was able to educate patrons on the enduring cultural gifts of hisbeloved Africa, while also serving as an influential talent incubator for youngartists of color.
Even today, Bamazi’s life and art have been fueled by his passion for the Africanculture. The calabash, a large, woody gourd, is an important and recurringsymbol in Bamazi’s work. The calabash is an African symbol of sustenance,hospitality, and fertility and is highly revered culturally for its nourishment andreliability. Beyond the edible fruit, the dried and hallowed calabash aboundswith pragmatic purposes-for serving or storing food, acting as a vessel, orcrafting ritual regalia. Bamazi depicts the calabash ethereally floating in thepictorial space. It is profound in both its simplicity and significance. In this way,the calabash becomes a symbol of mythological and proverbial interpretation.
Father of flying calabashes, he's called, Talle Bamazi Has his studio at 700Bryden Road in the artist Community in Columbus, Ohio, where he created themost powerful and mysterious works of art, formerly featured at Museums, 2022 Dakar Biennale Dakar, Senegal. 2022 9th Beijing International Art Biennale,China, Art institutions, Art galleries, and Art shows, round the world, now hangsin the historic Pythian theater. As an artist who creates and celebrates contemporary Art.
-
Nazionalità:
STATI UNITI
- Data di nascita : 1966
- Domini artistici: Opere di artisti professionisti,
- Gruppi: Artista professionista Artisti Americani Contemporanei
Vedere più a proposito di Bamazi Talle
