Painting titled "L'Inondation à Port…" by Alfred Sisley, Original Artwork, Enamel

L'Inondation à Port-Marly (1876) Painting by Alfred Sisley

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Original Artwork Painting, Enamel

Artworks classification

Original Artwork

Original Artwork refers to any work that is considered authentic and not a copy or imitation of the original works of an artist. Original artwork can be any type of painting, sculpture, performance, or other media. There are many types of original media. Mixed media includes oil, acrylic, and watercolor paintings. For workshop paintings that bear evidence of master craftsmanship, this attribution must be further qualified. While they may be less valuable for different reasons, reproductions and copies have had a tremendous impact on our experience. They reach a greater audience than originals and act as a tonic against commodification. Original Artwork could also refer to the first work, which is always preceding all others. It could also refer to a prototype or a model from which other works can be made. Each work bears great similarities to the original.
Dimensions Height 23.6in, Width 31.9in
Framing This artwork is not framed
Categories Impressionism Landscape

Cette peinture illustre l'une des caractéristiques distinctives du travail de Sisley, à savoir sa fascination pour les paysages fluviaux et sa capacité à capturer les effets de la lumière, de l'eau et de l'atmosphère.

Dans "L'Inondation à Port-Marly," Sisley représente une scène de crue à Port-Marly, une ville située le long de la Seine près de Paris. La composition montre des maisons, des arbres et des bâtiments partiellement submergés par les eaux déchaînées de la rivière, créant une atmosphère de chaos et de mouvement. Les reflets des bâtiments et du ciel dans l'eau ajoutent à la profondeur et à la dimension de la scène.

Sisley utilise une palette de couleurs subtile, avec des tons de bleu, de gris et de vert, pour capturer les nuances de l'eau et du ciel. La lumière est diffuse, créant une ambiance particulière qui caractérise le style impressionniste. Les coups de pinceau sont rapides et vibrants, donnant une impression de spontanéité à la scène.

About this artwork: Classification, Techniques & Styles

Enamel

Paint made with molten glass powder and oxide. The enamels are then applied by mixing them with distilled water. There is a form of vitrifiable enamel which consist of mixing the oxides with very little glass and oil until a paste is obtained. They are then applied as a painting.

Technic Painting

Painting is an art form of painting on a surface by aesthetically applying colored fluids. Painters represent a very personal expression on supports such as paper, rock, canvas, wood, bark, glass, concrete and many other substrates. Work of representation or invention, painting can be naturalistic and figurative, or abstract. It can have narrative, descriptive, symbolic, spiritual, or philosophical content.

Related themes

Port-Marly Crue Innondation Café Arbres

Artist represented by Artmajeur Editions

Alfred Sisley

France

Alfred Sisley was a French-British impressionist painter famous for his magnificent landscapes. He was born in Paris in 1839, to British parents, but obtained British citizenship. His father was a wealthy British silk merchant and his mother was French. He spent his youth in Paris and moved to London for his studies.

Sisley began his career in business, but his interest in painting grew when he returned to Paris and met artists like Renoir and Bazille. He eventually decided to devote himself to art and took painting lessons.

He quickly became associated with the Impressionist movement and was influenced by artists such as Monet and Pissarro. He is best known for his landscapes, particularly the countryside scenes along the Seine and the surrounding areas of French towns like Marly-le-Roi and Louveciennes.

Despite financial difficulties throughout Throughout his life, Sisley remained dedicated to his art and continued to produce exceptional works. He eventually gained recognition for his work later in his career.

He died in 1899 in Moret-sur-Loing, France. His works are highly appreciated today for their mastery of light, color and atmosphere, making him an important figure in the Impressionist movement.