Lease artwork "Hannah No. 12" by Randall Steinke with an option to purchase
Paintings by Randall Steinke are available for lease with purchase option
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Frequently Asked Questions
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on Artmajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
About the author
Randall Steinke is a contemporary American painter. He employs fauvist figurative painting, which combines the use of shapes and strong colors on figurative subjects to create an artwork. Each piece of art that he creates serves as an intentional experiment that opens the door for further experiments to come. He begins the painting by observing the surroundings and noticing shapes, such as those that result from variations in texture, color, light, and darkness, among other things. Once he obtains a picture that is full of shapes, he attempts to fit the composition into a picture that makes sense. After that, the shapes and composition are transferred to canvas, where a unified image is interpreted and produced. Color is not a key consideration when working with the shapes at this stage of the artwork's development, although colors do start to show up. When he was satisfied with the shapes on the canvas, he started to imagine colors that would go well with the shapes. Other colors then start to appear as a result.
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Nationality:
UNITED STATES
- Date of birth : unknown date
- Artistic domains:
- Groups: Contemporary American Artists
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