Artmajeur presents a selection of the best Contemporary Indonesian artists: Indonesian painters, Indonesian sculptors, Indonesian photographers, you can find both emerging and confirmed artists on the gallery.
While painters, sculptors and photographers from Indonesia are the most popular techniques, we also have great contemporary works for sale in other techniques like collages, digital arts or textile arts. Artmajeur gallery is very popular in Indonesia because many contemporary artists use it to sell their artworks: collectors looking to buy art by Indonesian artists can find a great diversity of techniques, colors, styles and prices.
Contemporary Indonesian artists have been making breathtaking original artworks that are nothing short of spectacular. These artworks are made using a variety of supports and materials such as canvas, paper, wood, and even recycled materials. What sets these artworks apart is the unique combination of traditional Indonesian techniques and modern artistic styles.
Indonesia’s contemporary art scene has flourished over the past few decades, with original artworks made by Indonesian artists gaining international recognition. The country’s rich cultural heritage, with its diverse ethnic groups and unique blend of traditional and modern influences, has played a significant role in shaping the art produced by its artists. The 1960s and 1970s saw the emergence of the New Art Movement, which challenged the traditional norms of Indonesian art and paved the way for experimentation and innovation.
Contemporary Indonesian artists have been producing original artworks that have evolved significantly in recent years. These artworks are gaining recognition in the contemporary art market, both nationally and internationally.
Contemporary Indonesian art has become increasingly popular in recent years, and several artists have emerged as prominent figures in the field.
One such artist is Arahmaiani, who is known for her thought-provoking installations that address social and political issues. Her work often incorporates traditional Indonesian motifs and symbols, but subverts them to challenge cultural norms and power structures.
Another notable figure is Heri Dono, whose colorful and whimsical sculptures and paintings draw on traditional Javanese stories and mythology. His work is playful and irreverent, but also carries a deeper message about the intersection of tradition and modernity in contemporary Indonesia.
Yet another artist making waves in the Indonesian art scene is Eko Nugroho, whose bold and graphic style combines street art with traditional Javanese techniques. His work often critiques consumer culture and corporate greed, but also celebrates the resilience and creativity of the Indonesian people.
Overall, these artists represent just a small fraction of the diverse and dynamic contemporary art scene in Indonesia. Their work speaks to the complex cultural and political landscape of the country, and offers a unique perspective on the challenges and opportunities facing Indonesian society today.
Contemporary Indonesian art has flourished in recent years, producing a wealth of original artworks that reflect the country’s rich cultural heritage and dynamic social landscape. Here are some of the most well-known pieces:
"Garden of Delight" by Heri Dono (2000) is a mixed media installation that explores the intersection of traditional Javanese mythology and contemporary global culture. Featuring a menagerie of colorful creatures and playful motifs, the work creates a whimsical world that invites viewers to immerse themselves in the artist’s imaginative vision.
"Blackboard Series" by FX Harsono (1975-2013) is a series of conceptual installations that use the blackboard as a metaphor for the erasure of Indonesian history and identity under colonial rule. Through a range of provocative images and texts, the works challenge viewers to confront the legacy of oppression and resistance that continues to shape the country’s identity today.
"Rhapsody in Blue" by Agus Suwage (2000) is a sculpture that combines traditional Indonesian craft techniques with contemporary materials and forms. The work features a life-sized figure of the artist’s alter ego, wearing a batik robe and a gas mask and holding a flower. By juxtaposing elements of beauty and danger, the work raises questions about the human condition and the role of art in society.
"Hey, I’m Not a Terrorist!" by Tisna Sanjaya (2005) is a painting that uses humor and satire to critique the stereotypes and prejudices that Indonesian Muslims face in the wake of global terrorism. The work features a cartoonish figure of a Muslim man, with a bomb strapped to his chest and a sign that reads "I’m Not a Terrorist!" The work challenges viewers to think critically about the complex social and political issues that define contemporary Indonesia.
"The Burden of History" by Eko Nugroho (2005) is a mural that depicts a chaotic scene of figures and symbols drawn from Indonesian popular culture and history. The work reflects the artist’s interest in the tension between tradition and modernity, and the ways in which the past continues to shape the present. Through its bold colors and dynamic composition, the work captures the energy and complexity of contemporary Indonesian society.
